Collection: HUBERT LAWS: THE JAZZ HERITAGE SOCIETY RECORDINGS
He emerged as a major force in the late 1960s and 1970s, particularly during his influential tenure with CTI Records. Albums like The Rite of Spring (1971), Afro-Classic (1970), and Morning Star (1972) showcased his signature blend of jazz improvisation, classical precision, and funk/R&B sensibilities. Laws possessed a remarkably pure tone, stunning technical facility, and an ability to seamlessly navigate complex harmonies and rhythms, making classical adaptations (like Stravinsky's "Rite of Spring" or Bach pieces) accessible within a jazz framework.
Beyond his successful solo career, Laws became a highly sought-after session musician, contributing his distinctive sound to recordings by artists across genres, including Quincy Jones, Herbie Hancock, Chick Corea, Aretha Franklin, Paul McCartney, and Paul Simon.
Laws significantly elevated the profile of the flute as a lead instrument in contemporary jazz and fusion. His ability to bridge the gap between classical and jazz idioms, combined with his commercial success, made him a pivotal figure. Recognized for his profound contributions, Hubert Laws was named an NEA Jazz Master in 2011, cementing his legacy as a true master of his instrument and an innovative force in modern music.
There are 23 albums in Mr. Laws’ discography for such record companies as: Atlantic, CBS, CTI, including: “My Time Will Come,” and “Storm Then The Calm” for the Jazz Heritage Society record label.
