CAROL WINCENC WRITES: My initial reaction to performing transcriptions of the beautifully pianistic works of Mozart was a mixture of enthusiasm and skepticism, but I soon became convinced of their validity in the arrangements by Hoffmeister. I was curious, however, how Hoffmeister dealt with Mozart's original scores, and so began comparing. To my surprise, Hoffmeister had rewritten some eminently playable passages in Mozart's original, probably for what he considered a more technical display. I have restored some of these passages in our present version (affecting predominantly the flute parts), as well as changing some doublings in the string parts.
The point of departure was not to imitate the piano (an obvious temptation when dealing with choices of coloring, articulation, and dynamic variation), but rather to allow Mozart's music to be experienced in a setting for which he also wrote his ever-popular flute quartets: K. 285, K. 285a, K. 285b, and K. 298. We now have two pieces which stand independently and convincingly, not merely as transcriptions, but as "new" works of Mozart for flute and strings.
Flute Quartet in G Major
I. Allegro (After Wolfgang Amadeus Mozart's Piano Sonata No. 15 in F Major, KV 533/494) 08:53
II. Andante (After Wolfgang Amadeus Mozart's Piano Sonata No. 15 in F Major, KV 533/494) 06:44
III. Rondo. Allegretto (After Wolfgang Amadeus Mozart's Piano Sonata No. 15 in F Major, KV 533/494) 06:20
Flute Quartet in C Major
I. Allegro con spirito (After Wolfgang Amadeus Mozart's Piano Sonata No. 7 in C Major, K. 309) 06:22
II. Andante un poco adagio (After Wolfgang Amadeus Mozart's Piano Sonata No. 7 in C Major, K. 309) 06:16
III. Rondo. Allegretto grazioso (After Wolfgang Amadeus Mozart's Piano Sonata No. 7 in C Major, K. 309) 06:11
