1 1
Stream this Recording Listen on YouTube

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
See All of This Artists MHS Recordings

ANTONIO VIVALDI (1678–1741)

VIVALDI: Concertos (Vol. 12) - Max Goberman, New York Sinfonietta

VIVALDI: Concertos (Vol. 12) - Max Goberman, New York Sinfonietta

$9.99
$9.98 $9.99
Sale Sold out
$4.99 MHS
DIGITAL DOWNLOAD with LINER NOTES
play_circle_outline
Concerto in G Major for Two Mandolins, Strings. and Organ, RV 532: I. Allegro
3:59
add_shopping_cart $0.99
play_circle_outline
Concerto in G Major for Two Mandolins, Strings. and Organ, RV 532: II. Andante
2:20
add_shopping_cart $0.99
play_circle_outline
Concerto in G Major for Two Mandolins, Strings. and Organ, RV 532: III. Allegro
3:27
add_shopping_cart $0.99
play_circle_outline
Concerto in D Major for flute, oboe, violin, bassoon and figured bass, RV 94: I. Allegro
3:52
add_shopping_cart $0.99
play_circle_outline
Concerto in D Major for flute, oboe, violin, bassoon and figured bass, RV 94: II. Largo
2:23
add_shopping_cart $0.99
play_circle_outline
Concerto in D Major for flute, oboe, violin, bassoon and figured bass, RV 94: III. Allegro
4:09
add_shopping_cart $0.99
play_circle_outline
Concerto in A Major for viola d'amore, strings and harpsichord, RV 396: I. Allegro
3:34
add_shopping_cart $0.99
play_circle_outline
Concerto in A Major for viola d'amore, strings and harpsichord, RV 396: II. Andante
3:42
add_shopping_cart $0.99
play_circle_outline
Concerto in A Major for viola d'amore, strings and harpsichord, RV 396: III. Allegro
3:08
add_shopping_cart $0.99
play_circle_outline
Sonata in C Minor for violin, violoncello and figured bass, RV 180: I. Allegro
2:24
add_shopping_cart $0.99
play_circle_outline
Sonata in C Minor for violin, violoncello and figured bass, RV 180: II. Largo
2:43
add_shopping_cart $0.99
play_circle_outline
Sonata in C Minor for violin, violoncello and figured bass, RV 180: III. Allegro
1:48
add_shopping_cart $0.99
Vivaldi New York Sinfonietta v 12 liner notes
The composition of the CONCERTO FOR TWO MANDOLINS IN G MAJOR, TOMO 104, was undoubtedly caused by particular local circumstances or by obligations to influential amateurs to whom Vivaldi wanted to endear himself. In this connection, Vivaldi's friendly relations to Marchese Guido Bentivoglio in Ferrara may be mentioned. This nobleman was a mandolinist, and he was perhaps not the only one who cultivated this instrument in Ferrara, He certainly may have welcomed a concerto for two mandolins. Be that as it may, we must take it for granted that there were players at hand, say in Venice, Ferrara or elsewhere, who were capable of handling their instrument in a virtuoso-like manner. And Vivaldi gave them ample opportunity to show off. The solo passages of both the first Allegro and the finale amount to three-fifths of the respective movements and the Andante belongs to the mandolins from the beginning to the end...
View full details

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
Stream this Recording Listen on YouTube
See All of This Artists MHS Recordings

FELIX GALIMIR, Violin
CHARLES MCCRACKEN, Violoncello
EUGENIA EARLE, Harpsichord
ANTHONY CHECCHLA, Bassoon

The NEW YORK SINFONIETTA
MAX GOBERMAN, Conductor
Performers
00:00 / 00:00
skip_previous play_circle_outline skip_next

Also Available from ANTONIO VIVALDI (1678–1741)