GRAMMY WINNERS AND NOMINEES

Barber: The Complete Piano Music - John Browning

Barber: The Complete Piano Music - John Browning

GRAMMY Award Winner, Best Solo Instrumental Performance, 1998

Samuel Barber: The Complete Solo Piano Music is a superlative effort overall and is a milestone recording of a cycle now considered central to twentieth century American piano literature.--All Music Guide

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Sonata For Piano, Op. 26
1 1. Allegro Energico 07:26
2 2. Allegro Vivace E Leggero 02:18
3 3. Adagio Mesto 06:28
4 4. Fuga. Allegro Con Spirito 05:17


5 Interlude No. 1 (Adagio For Jeanne) (World Premiere Recording) 06:47


6 Nocturne, Op. 33 04:42


7 Ballade, Op. 46 07:44


Excursions, Op. 20
8 Un Poco Allegro 03:17
9 In Slow Blues Tempo 04:33
10 Allegretto 03:29
11 Allegro Molto 02:32

During most of Samuel Barber's life, his conservative, tonal, essentially 19th-century orientation was considered an anachronism, not only by critics but by fellow composers. After all, serialism, indeterminacy, and electronics were the fascinations of the mid-20th­century avant-garde, not extensions of Romanticism. By the 1970s, American musical style had begun to change: neo-tonality and post-modernism were the buzzwords of the day, and Barber's music now seemed prescient in its foreshadowing of neo-Romanticism. But Barber died in 1981 -- depressed, embittered, barely glimpsing the revival of his music that was just around the corner. Still, it would be wrong to cast Barber as some neglected, misunderstood genius. If his modernist contemporaries had nothing but scorn for his work, the general public always adored it. Indeed, in Barber's case there never was any schism between composer and audience. In America, only Copland rivaled Barber in placing (and keeping) new works within the mainstream concert repertory.
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John Browning was often described as Barber's "favorite" pianist; he was the dedicatee and first performer of Barber's Piano Concerto (1963), the work that won Barber his second Pulitzer Prize. Browning recorded Barber's concerto twice and also recorded the Piano Sonata (1949) separately for Desto in 1971 before recording what Browning regarded as the whole, legitimate piano solo cycle for Musical Heritage Society in 1993. No two recorded collections of Barber's piano music, even those designated as "complete," have the same contents; in this case, Browning decided to forgo the piano solo incarnation of the four-hand Souvenirs, Op. 28 (1952), though he added, for the first time, the first of Barber's two early Interludes, "Adagio for Jeanne" (1932)..."Favorite" or not, it is clear that Browning's interpretations are authoritative. Samuel Barber: The Complete Solo Piano Music is a superlative effort overall and is a milestone recording of a cycle now considered central to twentieth century American piano literature. --All Music Guide
This is well worth having on the shelf both as a reminder of a great pianist and as an example of some of the most refined piano music to come out of America in the 20th century. --MusicWeb International
11/29/2024

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