Duke Ellington: Live in Concert, Chicago, Illinois 1946

[1] Ring Dem Bells  
(Duke Ellington & Irving Mills) Famous Music & Warner Bros. Music

[2] Jumpin' Punkins  
(Mercer Ellington) Tempo Music

[3] Beale Street Blues  
(W.C. Handy) W.C. Handy Music

[4] Memphis Blues  
(George A. Norton & W.C. Handy) W.C. Handy Music

[5] The Golden Feather  
(Duke Ellington) Tempo Music

[6] The Air-Conditioned Jungle  
(Duke Ellington & J. Hamilton) Tempo Music

[7] A Very Unbooted Character  
(Duke Ellington) Tempo Music

[8] Sultry Sunset 
(Duke Ellington) Tempo Music
 
The Deep South Suite:
[9] Magnolias Just Dripping With Molasses
 
[10] Hearsay 

[11] There Was Nobody Looking 

[12] Happy-Go-Lucky Local 
(Duke Ellington & Billy Strayhorn) Tempo Music

[13] Things Ain't What They Used To Be   
(Mercer Ellington) Tempo Music:
 
[14] Hiawatha 
 (Duke Ellington & Al Sears) Tempo Music

[15] Ride, Red, Ride*  
(Lucky Millinder & Irving Mills) Mills Music 

[16] A Blues Riff*   
(Duke Ellington) Tempo Music 

[17] Improvisation, #2*   
(Duke Ellington) Tempo Music 

[18] Honeysuckle Rose*   
(Andy Raza! & Thomas "Fats" Waller) Chappell Music & Randy Raza! Music 

[19] Blue Skies (Trumpet No End) 
(Irving Berlin) Irving Berlin Music

[20] Star Spangled Banner 
(arr. Mercer Ellington) Duke Ellington Music

[21] In A Mellotone 
(Duke Ellington & Milt Gabler) EMI Robbins Music

[22] Solid Old Man 
(Duke Ellington) EMI Mills Music

[23] Come Sunday, Work Song
(excerpts from Black, Brown & Beige) (Duke Ellington) G. Schirmer

[24] Rugged Romeo  
(Duke Ellington) Tempo Music/Duke Ellington Music

[25] Circe 
(Duke Ellington) Duke Ellington Music/Tempo Music

[26] Dancers in Love 
(Duke Ellington) Tempo Music/Duke Ellington Music

[27] Coloratura 
(Duke Ellington) Duke Ellington Music/Tempo Music

[28] Frankie & Johnny 
(Duke Ellington/ arr. Mercer Ellington) Tempo Music/Duke Ellington Music

[29] Caravan 
(Duke Ellington, Juan Tizol, Irving Mills) EMI Mills Music

[30] Take the A Train 
(Billy Strayhorn) Tempo Music 

[31] Mellow Ditty 
(Duke Ellington) Tempo Music/Duke Ellington Music

Duke Ellington THE GREAT CHICAGO CONCERTS liner notes

Duke Ellington's famous concert in aid of Russian War Relief at Carnegie Hall in 1943, when his Black, Brown and Beige was premiered, set more than one kind of precedent. By 1946 it had become customary for him to present new works in a concert or concerts on an annual basis. His program at Carnegie Hall on 4 January that year belatedly delivered 1945's entitlement, but in November he was ready again with much more fresh material for a concert tour arranged by the William Morris Agency. What made it unique was the addition of a "guest star" from Europe -- the guitarist Django Reinhardt. Ellington had met Django in Paris in 1939 and had been much impressed when they played together in a small club. Moreover, three of his musicians had recorded with the guitarist, and like so many famous American jazzmen in France before World War 11, they had been dazzled and delighted by the experience. In his autobiographical Music Is My Mistress, Ellington wrote of Django as "a very dear friend ... one whom I regard as among the few great inimitables of our music." (The other inimitables were Johnny Hodges, Sidney Bechet, Billy Strayhorn and Art Tatum, and while attempts were certainly made at imitating them, the attempts were never completely successful.) Unlike his erstwhile partner Stephane Grappelli, who had been in England, Django had spent the war years in occupied Europe. The intervening period had perhaps diminished his reputation, but he set out for the U.S. with high hopes, not even taking his guitar with him because he anticipated that American manufacturers would rush to equip him with their latest models. Ellington had written no special music for him, and when asked if he had brought any of his own, Django replied confidently, "Jouez ce que vous voulez, je suivrai!" ("Play what you wish, I'll follow!") So it was decided that he should play the four numbers on this disc, the band having a minimal supportive role and the guitarist maximum freedom.