FRANZ LISZT (1811-1886)

MY FAVORITE THINGS: VIRTUOSO ENCORES - Stephen Hough

MY FAVORITE THINGS: VIRTUOSO ENCORES - Stephen Hough

There have been several recordings in recent decades that have tried to resuscitate the art of the fabled pianists of the early years of this century, but none, I think, have succeeded so awesomely as this release by Stephen Hough.--Fanfare

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If pressed, many audience members admit that encores are the most enjoyable part of a piano recital. After performing Beethoven's last three sonatas, Dame Myra Hess may have asked, "What else can I play after such music?," but others have invariably followed scarcely less exalted programs with longed-for favorites or mischievously unannounced bonnes bouches. A Rubinstein recital without "Nocturne by Chopin" (always op. 15, no. 2 in F-sharp) and Falla's Ritual Fire Dance, or a Moiseiwitsch concert without Palmgren's enchanting West Finnish Dance or Rachmaninoff's vertiginous E minor Moment musical would have seemed sadly incomplete. Following in a romantic and authentic tradition, Stephen Hough feels no less happy to tickle his audience's fancy, to delight them with this or that favorite or rarity, to send them home thoughtfully humming, smiling and light-footed. Virtually all the pieces in this recital were written by pianist-composers rather than composer-pianists, the majority prominent at the turn of the century. And they are somehow part and parcel of a 19th-century tradition, a love of encores, of the teasing and delectable. They could also be considered an overspill from several great pianist's careers, lavishly extending both style and technique.
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If you're in the mood, pianist Stephen Hough's My Favorite Things will be just the thing. The mood in question is, of course, the mood for virtuoso encores and transcriptions from the golden age of piano players. Many of that era's supreme titans, from Liszt to Godowsky, are represented here with 20 examples of piano writing at its most idiomatic and difficult. Some of the works are adorable, like Paderewski's scrumptious Minuet in G with its sweeping arpeggios, others are witty like Rosenthal's Waltz with its flittering hand-crossings, and still others are exquisite like Godowsky's transcription of Saint-Saëns' The Swan with its glittering arabesques. But while all the works here are enormously challenging, virtuosity is rarely an end in itself, but rather a means to another end: seducing the listener with ravishingly beautiful music. And to this greater end, Hough has given his best. With his glowing tone, dazzling colors, effortless virtuosity, and total control, Hough has the equipment to play anything he sets his mind to, and he dispatches the works here with tremendous enthusiasm and genuine affection. This is especially true for Hough's performances of his own four transcriptions, particularly his arrangement of the Richard Rodgers' song that gives the disc its title. From the introduction's slyly sidestepping harmonies through the verse's giddily swooping melody to the coda's magically disappearing textures, Hough's My Favorite Things fits right in with the rest of his program. Recorded in richly atmospheric yet still surprisingly detailed digital sound, this disc will charm and delight listeners who are in the mood for re-creating the golden age of piano playing.
James Leonard, All Music Guide
11/29/2024

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