JAZZ HERITAGE SOCIETY - STREAMING

Mel Lewis Jazz Orchestra: Soft Lights and Hot Music - Live at the Village Vanguard

Mel Lewis Jazz Orchestra: Soft Lights and Hot Music - Live at the Village Vanguard

Live at the Village Vanguard, 1988

This fine effort is at the usual high level of the inventive orchestra. --All Music Guide

AVAILABLE ON MAJOR STREAMING SERVICES
To have kept a big band alive for more than 22 years is a monumental achievement in and of itself. To have kept it not only alive but fresh and creative and ever-surprising is a near miracle. This marvelous recording proves that Mel Lewis has indeed wrought wonders. "I didn't have the nerve to say it," the man who's rightly been called the best of all big-band drummers told me, "but during our European tour [in the summer of 1988] several promoters we'd worked with before came up and declared, 'This is the best band you've been associated with -- from the beginning.' I'd felt it, but now I know it." After hearing this music, you'll know it too. This band is a team with a sound and spirit that are its own, capable of brilliant execution (some of the charts they cut here are tough), but also (and this is essential to a jazz orchestra) with a looseness and impetuousness that infuse the music with swing and life. The bottom line, of course, is the drummer-leader-in the words of Stanley Crouch (once a drummer himself). "a wonder of precision and passion." But another clue is that the lead players in the horn sections (Earl Gardner, trumpet; John Mosca, trombone; Dick Oatts, alto saxophone) are long-term occupants of their key chairs, as are most of their section mates. Stability of personnel has been a characteristic of all great jazz bands, and it breeds consistency, an all-important ingredient.
View full details
Live at the Village Vanguard, 1988 - Recorded at the same sessions that resulted in two other CDs (both of which featured Thad Jones arrangements), this CD has charts by five different musicians, yet the sound of Mel Lewis Jazz Orchestra stayed consistent. Most unusual is that all but two numbers on this release (originals by Kenny Werner and band pianist Jim McNeely) are standards. Altoist Ted Nash ("Our Love Is Here to Stay" and "It Could Happen to You") has two features; pianist Kenny Werner ("The Touch of Your Lips"), trombonist John Mosca ("How Long Has This Been Going On") and altoist Dick Oatts ("Little Man, You've Had a Busy Day") are also showcased; and there are spots for the tenor of Ralph Lalama, trumpeter Glenn Drews,and the up-and-coming tenor Joe Lovano. This fine effort is at the usual high level of the inventive orchestra.
Scott Yanow, All Music Guide
11/29/2024

Also Available from The JAZZ HERITAGE SOCIETY - STREAMING