BELA BARTOK (1881-1945)

Bartók: For Children, Vol. 1 - The First Term at The Piano - Şahan Arzruni, piano

Bartók: For Children, Vol. 1 - The First Term at The Piano - Şahan Arzruni, piano

Bartok's music written for children and students is performed here by Sahan Arzruni, who shows this work to be a delicate and masterful combination of simplicity, relayed through folk songs and short works.

Unlock Exclusive Member Benefits:

  • First Month is a Free Trial

  • Get a Free Digital Boxed Set Every Month

  • Save On Classical, Jazz, Pop and World Music CDs, LPs, DVDs and Blu-Rays at Our Partner Store, ClassicSelect World

  • $$$ Off Your Purchases Starting Now

  • And Access The Musical Heritage Review Magazine Archives - Explore Music with Hundreds of Essays, Articles and Reviews

  • Learn about MEMBERSHIP

Enjoy your Exclusive Member Benefits:

  • Save At Least 50% on Sale Items at Our Store

  • Monthly Discounts at Our Partner Store, ClassicSelect World

  • Read The Musical Heritage Review and The Archives

  • Get Your Free Digital "Main Selection"

  • Click Here To Learn about MEMBERSHIP

AVAILABLE ON MAJOR STREAMING SERVICES

If You See This Icon...

  • This Title Is Available Only On Streaming Services.
  • Explore! Read About This Title in The Musical Heritage Review.
  • If You See This, Members Save 50% or More on This Recording
Bela Bartok, of all the great composers of the twentieth century, was by all standards the most notable in his involvement with folk music. In contrast to the Gypsy music employed by Brahms and Liszt, it was the Hungarian peasant music that Bartok introduced into the instrumental and vocal repertoire; he made the world aware of the true eastern European musical culture. As Bartok wrote, the study of Hungarian folklore had a decisive influence upon his work because it freed him from "the tyrannical rule of the major and minor keys." The first volume of For Children is a collection of Hungarian folk tunes presented in simple settings. Their incredible originality in melodic line, rhythmic construction, and harmonic language makes the collection an invaluable tool for introducing the young and unprejudiced student-pianist into the world of contemporary music. The First Term at the Piano consists of eighteen very short compositions written for the piano method of Reschofsky. In every aspect they are much simpler and more conventional than For Children. Some are based on actual folk songs; others are original compositions.
View full details

Also Available from The BELA BARTOK (1881-1945)