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JOHANNES BRAHMS (1833 – 1897)

Brahms: The Four Symphonies - Utah Symphony Orchestra, Maurice Abravanel

Brahms: The Four Symphonies - Utah Symphony Orchestra, Maurice Abravanel

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Brahms: Symphony No. 1 in G Minor, 1. Un Poco Sostenuto - Allegro - Meno Allegro
12:12
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Brahms Symphony No. 1 in G Minor, 2. Andante Sostenuto
8:14
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Brahms Symphony No. 1 in G Minor, 3. Un Poco Allegretto E Grazioso
4:56
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Brahms: Symphony No. 1 in G Minor, 4. Adagio - Piu Andante - Allegro Non Troppo Ma Con Brio - Piu Allegro
15:55
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Brahms: Symphony No. 2 in D Major, 1. Allegro Non Troppo
14:01
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Brahms: Symphony No. 2 in D Major, 2. Adagio Non Troppo - L'istesso Tempo, Ma Grazioso
8:08
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Brahms: Symphony No. 2 in D Major, 3. Allegretto Grazioso (Quasi Andantino) - Presto Ma Non Assai - Tempo I
5:26
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Brahms: Symphony No. 2 In D Major 4. Allegro Con Spirito
8:32
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Brahms: Symphony No. 3 in F Major, 1. Allegro Con Brio - Un Poco Sostenuto - Tempo I
8:57
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Brahms: Symphony No. 3 in F Major, 2. Andante
7:40
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Brahms: Symphony No. 3 in F Major 3. Poco Allegretto
6:13
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Brahms; Symphony No. 3 in F Major 4. Allegro - Un Poco Sostenuto
8:10
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Brahms: Symphony No. 4 in E Minor, 1. Allegro Non Troppo
11:46
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Brahms: Symphony No. 4 in E Minor 2. Andante Moderato
10:40
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Brahms: Symphony No. 4 in E Minor 3. Allegro Giocoso - Poco Meno Presto - Tempo I
6:03
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Brahms Symphony No. 4 in E Minor 4. Allegro Energico E Passionato - Piu Allegro
9:26
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Brahms Symphonies Utah SO liner notes by rgbarbero9
Brahms was by nature the most self-critical of composers. His tendency in this case was fed by a formidable knowledge of the music of the past, unusual in a creative artist. And when he was only 20, Schumann's celebrated article of Neue Bahnen (New Paths), hailing him in Messianic terms as the rising composer of the day, must have reinforced the propensity with an added sense of responsibility to publicly aroused expectations. String quartet and symphony were the two spheres in which he felt the inhibition most powerfully, precisely because they were the two that evoked for him with special vividness the supremacy of Beethoven. It was another 20 years before he felt confident enough, in 1873, to release his own String Quartet No. I to the public (by which time he had already destroyed more than a dozen works in the genre), and a further three before he allowed his Symphony No. I in C Minor, Op. 68 to be performed.
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Utah Symphony Orchestra, Maurice Abravanel
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