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DUKE ELLINGTON (1899 – 1974)

Duke Ellington: Live in Concert, New York City - May 20, 1964

Duke Ellington: Live in Concert, New York City - May 20, 1964

Duke Ellington was so brilliant as a bandleader, arranger and composer that sometimes his piano playing was taken for granted. He gave few solo concerts in his career, which makes this particular Jazz Heritage Society disc something special. --All Music Guide

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Duke Ellington New York Concert liner notes
By 1964, when this recital was given, Duke Ellington had been a famous name in jazz for nearly four decades. He was probably best known as a charismatic bandleader and, in popular terms, as a songwriter. (The high title of 'composer' was not yet so readily on the public's lips.) Some knew him, too, as an arranger, the greatest jazz had produced. Fewer, even more discerning, recognized him as a superior jazz pianist. Although it is seldom mentioned, it is a fact that during the so-called Big Band Era a high proportion of the better jazz bands were led by pianists. One may recall the brothers Fletcher and Horace Henderson, Earl Hines, Claude Hopkins, Bennie Moten, Count Basie, Luis Russell, Alphonso Trent, Jay McShann, Charlie and Buddy Johnson, and later Stan Kenton and Claude Thornhill. Even Fats Waller toured at the head of a big band periodically. And from the time he opened at the Cotton Club in 1927 until his death in 1974, Duke Ellington led a big band from the piano almost continuously -- longer than anyone else in his field. He took solos in the course of his band's performances and occasionally made solo records during the 78 r.p.m. age, but Ellington was not so prominent in terms of pianistic virtuosity as Fats Waller and Earl Hines, the two major influences on jazz piano in the 1930s. He, like all the other piano­playing leaders, saw nothing demeaning in their professional classification as "band" pianists, for theirs was a special role that required special skills -- and much first-hand experience. Ellington had arrived in New York at a time when the "stride" style of piano was paramount, and he played it well enough to be accepted by the giants of the Harlem school, such as James P. Johnson, Willie "The Lion" Smith and Fats Waller. Carolina Shout and other Johnson compositions were among the numbers he had first learned to play in Washington by the time-honored method of slowing down the mechanism of a player-piano and following the slowly descending keys the piano rolls dictated.
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Duke Ellington was so brilliant as a bandleader, arranger and composer that sometimes his piano playing was taken for granted. He gave few solo concerts in his career, which makes this particular Jazz Heritage Society disc something special.
All Music Guide
11/29/2024
Stream this Recording
See All of This Artists MHS Recordings

Duke Ellington
with Sam Woodyard, drums
Peck Morrison, bass
Billy Strayhorn, piano
Willie "The Lion" Smith, piano
Performers
00:00 / 00:00
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