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Albums Featured in The Musical Heritage Review
BACH: 8 SONATAS FOR DIVERSE INSTRUMENTS - The Aulos Ensemble
BACH: 8 SONATAS FOR DIVERSE INSTRUMENTS - The Aulos Ensemble
Bach, as you haven't heard him. Arrangements of works possibly as Bach intended - they even looked at the erased bits.
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The Aulos people have the instruments and they have the techniques (as they believe them to be). They, to coin a phrase, go for baroque. They, as the notes to one of their earlier records say, have "been spreading the word.'' So if you want your Bach as Bach supposedly heard it, here 'tis (sort of: see below). (If you want to duplicate the conditions under which Bach heard it, turn off your central heating, your water, and your electricity for starters.) But wait a mo'! I have sensed from the testiness of certain reviewers that Authenticity is beginning to run dry in some quarters. Now here comes Taruskin suggesting that something is missing. Getting as close as is possible to what the composer intended has its drawbacks. It turns the music into museum pieces--impeccably restored, beautifully mounted, cleaned to a luster, but museum pieces all the same. Bach was less respectful of his own work "Individual movements slipped in and out of conjunction; media were interchangeable and adaptable (even vocal to instrumental and vice versa); masses paraphrased cantatas and oratorios parodied bawdy ditties ... .It becomes clear that the status of a piece of written music was by no means as definitive in Bach's day as it is in ours." Do you sense where this is leading?
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Authenticity, to be really authentic is freedom. What Aulos has done here, is present most of these works as Bach (as far as we know) never wrote them. Admittedly they have not gone very far: they have something like the composer's sanction for what they have done. For example, the first selection is a sonata in G for flute, viola da gamba and harpsichord. Now the gamba sonata in that key has a counterpart in S. 1039, a sonata for two flutes and continuo. So why not combine them? Do you object? Aulos offers in defense a trio sonata in G for flute, violin and continuo. This is known to be "inauthentic," i.e. Bach didn't write all of it. What he did was take the continuo part from the Violin Sonata, S. 1021 and, as an exercise, have a pupil (probably his son Emanuel) construct other parts on it.
--David M. Greene, Musical Heritage Review
11/29/2024
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