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BACH, J.S.: 8 SONATAS FOR DIVERSE INSTRUMENTS - The Aulos Ensemble
BACH, J.S.: 8 SONATAS FOR DIVERSE INSTRUMENTS - The Aulos Ensemble
Bach wrote and re-wrote...and Aulos has gone back to some of his original manuscripts, found erase marks, and made some changes...so organ works become flute sonatas...just like Bach might have intended. Exceptional notes by Richard Taruskin, with detailed analysis of the detective work involved in restoring these works.
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Trio Sonata for Two Flutes and Basso Continuo, BWV 1039: I. Adagio (arr. by The Aulos Ensemble, second flute part is performed on viola da gamba as written in Trio Sonata, BWV 1027)
3:32
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Trio Sonata for Two Flutes and Basso Continuo, BWV 1039: II. Allegro ma non presto (arr. by The Aulos Ensemble, second flute part is performed on viola da gamba as written in Trio Sonata, BWV 1027)
3:17
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Trio Sonata for Two Flutes and Basso Continuo, BWV 1039: III. Adagio e piano (arr. by The Aulos Ensemble, second flute part is performed on viola da gamba as written in Trio Sonata, BWV 1027)
2:14
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Trio Sonata for Two Flutes and Basso Continuo, BWV 1039: IV. Presto (arr. by The Aulos Ensemble, second flute part is performed on viola da gamba as written in Trio Sonata, BWV 1027)
2:54
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Violin Sonata in E Minor, BWV 1023: I. (Prelude)
1:10
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Violin Sonata in E Minor, BWV 1023: II. Adagio ma non tanto
2:43
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Violin Sonata in E Minor, BWV 1023: III. Allemande
3:42
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Violin Sonata in E Minor, BWV 1023: IV. Gigue
2:55
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Flute Sonata in B Minor, BWV 1030: (Andante) (Arr. by The Aulos Ensemble for Oboe and Harpsichord, originally written by J.S. Bach in G Minor)
7:06
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Flute Sonata in B Minor, BWV 1030: II. Siciliano (Arr. by The Aulos Ensemble for Oboe and Harpsichord, originally written by J.S. Bach in G Minor)
3:31
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Flute Sonata in B Minor, BWV 1030: III. Presto (Arr. by The Aulos Ensemble for Oboe and Harpsichord, originally written by J.S. Bach in G Minor)
5:52
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Trio Sonata in G Major, BWV 1038: I. Largo
3:00
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Trio Sonata in G Major, BWV 1038: II. Vivace
2:52
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Trio Sonata in G Major, BWV 1038: III. Adagio - Presto
1:21
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Musical Offering, BWV 1079 - Sonata sopr' il soggetto Reale a traversa, violino e continuo: I. Largo
6:06
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Musical Offering, BWV 1079 - Sonata sopr' il soggetto Reale a traversa, violino e continuo: II. Allegro
5:48
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Musical Offering, BWV 1079 - Sonata sopr' il soggetto Reale a traversa, violino e continuo: III. Andante
3:00
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Musical Offering, BWV 1079 - Sonata sopr' il soggetto Reale a traversa, violino e continuo: IV. Allegro
3:09
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Organ Sonata No. 4, BWV 528: I. Adagio - Vivace (Originally Composed as Cantata BWV 76: Sinfonia for Oboe d'Amore, Viola da Gamba, and Basso Continuo)
2:37
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Organ Sonata No. 4, BWV 528: II. Andante (arr. by The Aulos Ensemble for oboe d'amore, viola da gamba and continuo)
4:23
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Organ Sonata No. 4, BWV 528: III. Un poco allegro (arr. by The Aulos Ensemble for oboe d'amore, viola da gamba and continuo)
2:39
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Organ Sonata No. 1, BWV 525: I. Allegro (Arr. by The Aulos Ensemble for Flute, Violin, and Basso Continuo)
2:32
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Organ Sonata No. 1, BWV 525: II. Adagio (Arr. by The Aulos Ensemble for Flute, Violin, and Basso Continuo)
6:38
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Organ Sonata No. 1, BWV 525: III. Allegro (Arr. by The Aulos Ensemble for Flute, Violin, and Basso Continuo)
3:21
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Flute Sonata in E Minor, BWV 1034: I. Adagio ma non tanto
3:04
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Flute Sonata in E Minor, BWV 1034: II. Allegro
2:37
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Flute Sonata in E Minor, BWV 1034: III. Andante
3:21
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Flute Sonata in E Minor, BWV 1034: IV. Allegro
4:35
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Bach wrote and re-wrote...and Aulos has gone back to some of his original manuscripts, found erase marks, and made some changes...so organ works become flute sonatas...just like Bach might have intended.

Authenticity, to be really authentic is freedom. What Aulos has done here, is present most of these works as Bach (as far as we know) never wrote them. Admittedly they have not gone very far: they have something like the composer's sanction for what they have done. For example, the first selection is a sonata in G for flute, viola da gamba and harpsichord. Now the gamba sonata in that key has a counterpart in S. 1039, a sonata for two flutes and continuo. So why not combine them? Do you object? Aulos offers in defense a trio sonata in G for flute, violin and continuo. This is known to be "inauthentic," i.e. Bach didn't write all of it. What he did was take the continuo part from the Violin Sonata, S. 1021 and, as an exercise, have a pupil (probably his son Emanuel) construct other parts on it.
Do you know the G minor Oboe Sonata'? No? What has come down to us is the keyboard part of the B minor Flute Sonata, transposed to a key that is unsuited to the flute. So why not? Etc. And Taruskin refuses to apologize. Rather, he says, he looks forward to the day when we can "revel with impunity in the music we love to play" and "the revival of Early Music will have truly come of age." I patiently await the Second Coming of Leopold Stokowski.
--David M. Greene, Musical Heritage Review
11/29/2024
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