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ERNST MARZENDORFER & THE VIENNA CHAMBER ORCHESTRA - THE MUSICAL HERITAGE SOCIETY RECORDINGS

HAYDN: THE "LONDON" SYMPHONIES (Symphonies 93-104) - Vienna Chamber Orchestra, Ernst Märzendorfer

HAYDN: THE "LONDON" SYMPHONIES (Symphonies 93-104) - Vienna Chamber Orchestra, Ernst Märzendorfer

Maerzendorfer takes the listener on a journey through this magnificent symphonic odyssey in which his commitment to every moment is revealing and riveting. --Gramophone

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Symphony No. 93 in D Major, Hob. I.93 I. Adagio; Allegro assai
6:55
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Symphony No. 93 in D Major, Hob. I.93 II. Largo cantabile
4:56
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Symphony No. 93 in D Major, Hob. I.93 III. Minuetto Allegro
4:03
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Symphony No. 93 in D Major, Hob. I.93 IV. Finale Presto, ma non troppo
4:46
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Symphony No. 94 in G Major, Hob. I.94 Surprise I. Adagio; Vivace
8:53
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Symphony No. 94 in G Major, Hob. I.94 Surprise II. Andante
7:22
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Symphony No. 94 in G Major, Hob. I.94 Surprise III. Minuetto
4:35
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Symphony No. 94 in G Major, Hob. I.94 Surprise IV. Finale
4:05
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Symphony No. 95 in C minor, Hob. I.95 I. Allegro Moderato
7:07
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Symphony No. 95 in C minor, Hob. I.95 II. Andante cantabile
6:27
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Symphony No. 95 in C minor, Hob. I.95 III. Minuetto
5:37
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Symphony No. 95 in C minor, Hob. I.95 IV. Finale Vivace
3:34
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Symphony No. 96 in D Major, Hob. I.96 Miracle I. Adagio; Allegro
6:39
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Symphony No. 96 in D Major, Hob. I.96 Miracle II. Andante
7:18
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Symphony No. 96 in D Major, Hob. I.96 Miracle III. Minuetto
5:26
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Symphony No. 96 in D Major, Hob. I.96 Miracle IV. Finale
3:37
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Symphony No. 97 in C Major, Hob. I.97 I. Adagio; Vivace
7:38
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Symphony No. 97 in C Major, Hob. I.97 II. Adagio, ma non troppo
7:31
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Symphony No. 97 in C Major, Hob. I.97 III. Minuetto
4:16
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Symphony No. 97 in C Major, Hob. I.97 IV. Finale
5:17
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Symphony No. 98 in B flat Major, Hob. I.98 I. Adagio; Allegro
7:09
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Symphony No. 98 in B flat Major, Hob. I.98 II. Adagio
5:57
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Symphony No. 98 in B flat Major, Hob. I.98 III. Minuetto Allegro
5:36
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Symphony No. 98 in B flat Major, Hob. I.98 IV. Finale. Presto
7:51
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Symphony No. 99 in E flat Major, Hob. I.99 I. Adagio; Vivace assai
8:05
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Symphony No. 99 in E flat Major, Hob. I.99 II. Adagio
7:50
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Symphony No. 99 in E flat Major, Hob. I.99 III. Minuetto
5:18
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Symphony No. 99 in E flat Major, Hob. I.99 IV. Finale
4:11
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Symphony No. 100 in G Major, Hob. I.100 Military I. Adagio; Allegro
7:56
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Symphony No. 100 in G Major, Hob. I.100 Military II. Allegretto
5:17
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Symphony No. 100 in G Major, Hob. I.100 Military III. Minuetto
5:39
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Symphony No. 100 in G Major, Hob. I.100 Military IV. Finale
5:20
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Symphony No. 101 in D Major, Hob. I.101 The Clock I. Adagio; Presto
8:10
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Symphony No. 101 in D Major, Hob. I.101 The Clock II. Andante
9:49
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Symphony No. 101 in D Major, Hob. I.101 The Clock III. Minuetto
5:58
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Symphony No. 101 in D Major, Hob. I.101 The Clock IV. Finale
4:36
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Symphony No. 102 in B flat Major, Hob. I.102 I. Largo; Vivace
8:25
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Symphony No. 102 in B flat Major, Hob. I.102 II. Adagio
4:57
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Symphony No. 102 in B flat Major, Hob. I.102 III. Minuetto
5:24
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Symphony No. 102 in B flat Major, Hob. I.102 IV. Finale
4:34
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Symphony No. 103 in E flat Major, Hob. I.103 Drum Roll I. Adagio
9:27
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Symphony No. 103 in E flat Major, Hob. I.103 Drum Roll II. Andante
9:23
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Symphony No. 103 in E flat Major, Hob. I.103 Drum Roll III. Minuet
4:56
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Symphony No. 103 in E flat Major, Hob. I.103 Drum Roll IV. Finale
5:12
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Symphony No. 104 in D Major, Hob. I.104 London I. Adagio; Allegretto
9:03
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Symphony No. 104 in D Major, Hob. I.104 London II. Andante
9:04
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Symphony No. 104 in D Major, Hob. I.104 London III. Minuetto
4:19
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Symphony No. 104 in D Major, Hob. I.104 London IV. Finale
6:30
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Maerzendorfer takes the listener on a journey through this magnificent symphonic odyssey in which his commitment to every moment is revealing and riveting. --Gramophone
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The performances, though, are often extremely fine and sometimes revelatory. There is a tautness and discipline to the string-playing and a unanimity of woodwind ensemble and intonation that often eluded Dorati’s (and even, much later, Adám Fischer’s) Austro-Hungarians. The brass display a solidity and assurance, which is all to the good when Haydn takes his horns, for example, up into the eye-watering upper extremes of their tessitura. It is difficult to imagine that Maerzendorfer’s sessions, like Dorati’s, were any more luxurious than simple rehearse-record exercises. Nevertheless, the impression in symphony after symphony is of true engagement, with a pleasing elegance to phrasing and consideration for the character of the music from moment to moment.
Gramophone Magazine
11/29/2024
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Ernst Marzendorfer, Vienna Chamber Orchestra
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