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FREDERICK RENZ & THE NEW YORK EARLY MUSIC ENSEMBLE: THE MUSICAL HERITAGE SOCIETY RECORDINGS

Salacious Chansons and other Renaissance Ribaldry - New York Ensemble for Early Music's Gleemen

Salacious Chansons and other Renaissance Ribaldry - New York Ensemble for Early Music's Gleemen

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Et Leves lo Gambe, Jennette
1:26
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Nostre Chamberiere, si Malade elle est
1:23
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Je Mefie en Tout le Monde
1:10
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Je le Lairay Puisqu'il Me Bat
2:49
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Frapes Petit Coup, Petit Jehan mon amy
1:53
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Le Dolleur de Mon Con, Pere
2:24
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Mon Amy m'Avoit Promis
1:45
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England, Be Glad
1:26
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Pastime with Good Company
1:26
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Green Groweth the Holly
2:57
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I Have Been a Foster
2:36
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Helas Madame
0:52
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Tapster, Drinker, Fill Another Ale
0:50
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Blow Thy Horn, Hunter
1:59
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Ah Robin, Gentle Robin
2:12
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Be Peace! Ye Make Me Spill My Ale
2:10
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Up I Arose in Verno Tempore
1:11
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Hoyda, Hoyda, Jolly Rutterkin
3:34
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Now Let Us Sing
1:49
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My Heartly Service (The Plough Song)
6:11
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The Gowans Are Gay
2:13
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The songs on this record, though apparently so straightforward and informal, represent a major musical revolution at the turn of the 16th century that quickly spread to all corners of Europe. The all-pervasive antecedent of the style was the secular Burgundian chanson, usually arranged for solo voice and a few instruments, highly contrapuntal, detailed, delicate and refined, deliberately conservative in an attempt to adhere to medieval forms and textures. When the interest of the finest trained composers of the late fifteenth century was stimulated toward popular song as a possible starting-point for serious music, their compositions dealt the final deathblow to those medieval forms, and ultimately built the foundations for modern tonality and sonority.
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