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LUDWIG VAN BEETHOVEN (1770-1827)

Beethoven: The Late Piano Sonatas - Vladimir Feltsman

Beethoven: The Late Piano Sonatas - Vladimir Feltsman

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Piano Sonata No. 28 in A Major, Op. 101 I. Allegretto, ma non troppo
4:04
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Piano Sonata No. 28 in A Major, Op. 101 II. Vivace alla marcia
5:51
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Piano Sonata No. 28 in A Major, Op. 101 III. Adagio, ma non troppo, con affetto
3:37
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Piano Sonata No. 28 in A Major, Op. 101 IV. Allegro
7:28
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Piano Sonata No. 29 in B Flat Major, Op. 106 "Hammerklavier" I. Allegro
11:36
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Piano Sonata No. 29 in B Flat Major, Op. 106 "Hammerklavier" II. Scherzo. Assai vivace
2:34
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Piano Sonata No. 29 in B Flat Major, Op. 106 "Hammerklavier" III. Adagio sostenuto
17:14
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Piano Sonata No. 29 in B Flat Major, Op. 106 "Hammerklavier" IV. Largo - Allegro risoluto
12:09
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Piano Sonata No. 30 in E Major, Op. 109 I. Vivace, ma non troppo
3:38
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Piano Sonata No. 30 in E Major, Op. 109 II. Prestissimo
2:26
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Piano Sonata No. 30 in E Major, Op. 109 III. Gesangvoll, mit innigster Empfindung. Andante m
13:12
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Piano Sonata No. 31 in A Flat Major, Op. 110 I. Moderato cantabile molto espressivo
6:40
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Piano Sonata No. 31 in A Flat Major, Op. 110 II. Allegro molto
2:09
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Piano Sonata No. 31 in A Flat Major, Op. 110 III. Adagio ma non troppo. Arioso dolente. Fuga
10:49
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Piano Sonata No. 32 in C Minor, Op. 111 I. Maestoso - Allegro con brio ed appassionato
9:09
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Piano Sonata No. 32 in C Minor, Op. 111 II. Arietta. Adagio molto semplice cantabile
17:44
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The late piano sonatas come from Beethoven's most sublime period, a mix of virtuosic thunder and tremendous introspection.
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This is a precise, clear, almost placid "Hammerklavier" if indeed there can be such a thing, and it clarifies details of the counterpoint in the finale that seemed forever lost in the tradition of performances following Artur Schnabel's gate-storming performances...Feltsman deserves full credit for performances that are both original and technically remarkable, both in the "Hammerklavier" and in the gentler Piano Sonata No. 28 in A major, Op. 101, where he rightly tones down his approach a good deal. Well worth hearing, as with Feltsman's other recordings of this period.
--MusicWeb International
11/29/2024
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Vladimir Feltsman, piano
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