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CARL PHILIPPE EMANUEL BACH (1714-1788)

The Sound of Keyboard Instruments

The Sound of Keyboard Instruments

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Sound of Keyboard Instruments liner notes

The development of keyboard music is essentially the development of chamber music. Keyboard instruments were originally used in the home as a means of accompanying vocal music and for playing dances. In this respect the relationship between early keyboard music and the heritage of lute songs and dances and fantasias is easy to understand, since the early keyboard pieces are little more than transcriptions or adaptations from the original lute tablature. Interest in keyboard music for the virtuoso was slow to develop, but once begun, it continued until it reached its height in the Romantic era. This recording is an attempt to demonstrate some of the different keyboard instruments commonly used in the home and some of the music composed for them between the 16th and 18th centuries. 

HILDE LANGFORT, Virginal and Harpsichord

JOSEF NEBOIS, Positive Organ

HANS KANN, Clavichord, Hammerklavier and Piano

JAN PIETERSZOON SWEELINCK (1562-1621) VARIATIONS on "EST-CE MARS" (No. 58) - Positive Organ 

ANTONIO DE CABEZON (1510-1566) DUUIENSELA (Variations) - Virginal 

JOHANN JAKOB FROBERGER (1616-1667) TOCCATA No. 16 in C MAJOR - Harpsichord

CARL PHILIPP EMANUEL BACH (1714-1788) ABSCHIED VON MEINEM SILBERMANNISCHEN CLAVIERE, Rondo in E minor, Wq. 66: Poco andante e sostenuto ( Farewell to my Silbermann Clavichord) - Clavichord

JOSEPH HAYDN (1732-1809) FANTASIA in C MAJOR, H. XVII:4 - Hammerklavier

Anonymous (English) PAVANNE ANGLOISE in A - Clavichord

ANTONIO DE CABEZON TIENTO del QUINTO TONO - Positive Organ

WILHELM FRIEDEMANN BACH (1710-1784) POLONAISE in D MINOR, F. 12, No. 4 - Clavichord

 PIETRO DOMENICO PARADISI (1707-1791) SONATA in A MAJOR

I. Comodo

II. Allegro

Harpsichord 

MUZIO CLEMENTI (1752-1832) SONATA in D MAJOR, Op. 26, No. 3

  1. Presto 2. Un poco Andante 3. Rondo: Assai allegro - Pianoforte
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Hilde Langfort, Hans Kann, Josef Nebois
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