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GOTHIC & RENAISSANCE DANCES - Les Menestrals

GOTHIC & RENAISSANCE DANCES - Les Menestrals

A wild collection of barely contained noisemaking and music! Flutes, drums, horns and more making merry in a medieval way.

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Trotto (14th Century) (rebec, tenor violin, lute, sopranino recorder, busine, drum, tambourin)
1:34
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Nota (14th Century) (rebec, lute, busine)
1:18
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Lamento di Tristan ( 14th Century) (pardessus de viole, tenor violin, sopranino recorder, drums)
4:12
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Stantipes (14th Cent) (rebec, tenor violin, lute, bass krummhorn, glockenspiel)
1:07
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Saltarello (14th Century) (soprano recorder, drum)
1:07
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Istampita Ghaetta (14th Century) (rebec, tenor violin, shawm, tenor krummhorn, bass krummhorn, soprano recorder, small drum, triangle)
5:01
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Molendinum de Paris (15th Century) (lute, pardessus de viole, tenor violin)
2:04
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F. DE LA TORRE: ALTA DANZA (15th Century) (sopranino recorder, shawm, tromba da tirarsi)
1:03
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JEAN LE GRAND: ENTRE VOUS (15th Century) (pardessus de viole, lute, tenor violin, drum)
1:17
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SUSATO 10. Pavane –The Battle (pardessus de viole, viola da gamba, soprano and alto cornetts )
2:03
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SUSATO Allemande (pardessus de viole, tenor and bass krummhorns, viola da gamba)
1:53
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ANONYMOUS: 3 PIECES for LUTE (16th Century) I. Allemande
1:25
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ANONYMOUS: 3 PIECES for LUTE (16th Century) II. Pavane
2:08
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ANONYMOUS: 3 PIECES for LUTE (16th Century) III. Galliard
1:08
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GERVAISE: DANCES (C. 1550) Allemande / Pavane-Passamezzo / Galliarde / Bransles de Bologne
12:06
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GOTHIC AND RENAISSANCE DANCES liner notes
Between 1300 and 1600, secular instrumental music came into being by way of the many dances that flourished among the folk despite the Church's opposition. This music, often sung at the same time as it was danced, was so attractive that it was appropriated by royalty in the 14th century. In the process, dances sometimes changed their character and became formalized; they were also freely exchanged for others of neighboring countries. Abandoning the freely flowing rhythms of plainsong, they took on what we consider to be elements basic to music -- steady rhythms, contrast, repetition, variation, balance of phrases. Eventually in the early 17th century, sets of these dances, arranged in a kind of international potpourri of contrasting rhythms, became the instrumental suites which in turn laid the basis for movements of the sonata and symphony. No such suites appear on this record, however, for the Gothic and Renaissance musicians played these dances singly or at most in certain pairs of which mention will be made later. Therefore, any succession of dances on this record is to be thought of as unconnected compositions having no formal relation to each other.
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