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Pachelbel: Hexachordum Apollinis, Chaconne in F Minor

Pachelbel: Hexachordum Apollinis, Chaconne in F Minor

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Aria and 6 Variations in F Major, P. 195 VI. Variation V
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Aria and 8 Variations in F Minor, P. 198 IV. Variation III
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Aria and 6 Variations in F Major, P. 195 III. Variation II
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Aria and 5 Variations in E Minor, P. 194 IV. Variation III
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Aria and 6 Variations in G Minor, P. 196 VI. Variation V
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Aria and 8 Variations in F Minor, P. 198 V. Variation IV
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Aria and 5 Variations in E Minor, P. 194 I. Aria
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Aria and 6 Variations in A Minor, P. 197 II. Variation I
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Aria and 5 Variations in E Minor, P. 194 II. Variation I
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Aria and 8 Variations in F Minor, P. 198 I. Aria
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Aria and 6 Variations in G Minor, P. 196 V. Variation IV
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Aria and 6 Variations in G Minor, P. 196 IV. Variation III
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Aria and 6 Variations in G Minor, P. 196 I. Aria
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Aria and 6 Variations in D minor, P. 193 III. Variation II
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Aria and 5 Variations in E Minor, P. 194 V. Variation IV
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Aria and 6 Variations in G Minor, P. 196 III. Variation II
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Aria and 6 Variations in A Minor, P. 197 VII. Variation VI
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Aria and 6 Variations in D Minor, P. 193 VII. Variation VI
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Aria and 6 Variations in D minor, P. 193 II. Variation I
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Aria and 6 Variations in F Major, P. 195 VII. Variation VI
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Aria and 6 Variations in A Minor, P. 197 IV. Variation III
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Aria and 8 Variations in F Minor, P. 198 IX. Variation VIII
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Aria and 8 Variations in F Minor, P. 198 VI. Variation V
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Aria and 6 Variations in D Minor, P. 193 I. Aria
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Chaconne in F Minor, P. 43
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Aria and 6 Variations in F Major, P. 195 IV. Variation III
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Aria and 6 Variations in D Minor, P. 193 VI. Variation V
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Aria and 6 Variations in A Minor, P. 197 I. Aria
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Aria and 5 Variations in E Minor, P. 194 III. Variation II
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Aria and 8 Variations in F Minor, P. 198 VIII. Variation VII
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Aria and 6 Variations in A Minor, P. 197 V. Variation IV
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Aria and 6 Variations in D minor, P. 193 III. Variation II
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Aria and 6 Variations in F Major, P. 195 I. Aria
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Aria and 8 Variations in F Minor, P. 198 VII. Variation VI
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Aria and 6 Variations in F Major, P. 195 II. Variation I
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Aria and 6 Variations in G Minor, P. 196 VII. Variation VI
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Aria and 5 Variations in E Minor, P. 194 VI. Variation V
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Aria and 6 Variations in D minor, P. 193 V. Variation IV
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Aria and 6 Variations in A Minor, P. 197 III. Variation II
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Aria and 8 Variations in F Minor, P. 198 II. Variation I
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Aria and 8 Variations in F Minor, P. 198 III. Variation II
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Aria and 6 Variations in G Minor, P. 196 II. Variation I
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Aria and 6 Variations in F Major, P. 195 V. Variation IV
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Aria and 6 Variations in A Minor, P. 197 VI. Variation V
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JOHANN PACHELBEL liner notes
HEXACHORDUM APOLLINIS. What a fascinating title -- in actual fact it is a simple, if fanciful, name for a set of six Airs-with-Variations; in this title, these six pieces are likened to the six strings of the God Apollo's Lyre. These six sets are sometimes referred to as Partitas -- and here the terminology becomes slightly more complicated. The Partita usually refers to a Suite of pieces largely based on old dance rhythms -- as with Bach's Six Partitas, but Pachelbel's "Partitas"" are, as we have already mentioned, Airs-with-Variations. His Chaconne in F minor, which concludes this record, is also an Air-with-Variations. The Chaconne and the Passacaglia are very similar in eighteenth-century usage, and while both terms normally refer to Variations on a ground bass rather than Variations on the Air, the dividing line is not always clear. Bach demonstrates the Airs-with-Variations in his Goldberg Variations; the Passacaglia or Chaconne in its usual sense of Variations on a Ground Bass can be heard in Bach's Passacaglia in C minor, BWY 582. So, having passed through the somewhat devious maze of eighteenth-century musical terminology, the Hexachordum Apollinis becomes Six Partitas, and the Partitas themselves turn out, like the Chaconne, to be Airs with-Variations.
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